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This beaded clutch dates to the early–mid 20th century, most likely the 1930s–1940s. The folded envelope construction and dense surface embellishment place it within a period when evening bags were designed as soft sculptures—ornamental objects intended to catch low light rather than carry weight.
The exterior is richly worked with seed pearls and translucent sequins stitched over a fine textile base, forming subtle geometric curves reminiscent of late Art Deco design. Hand-beaded bags of this kind were often produced by skilled artisans, frequently women, and sold through department stores or specialty boutiques as formal accessories for dinners, dances, and special occasions.
The absence of rigid structure and the delicate materials suggest it was meant for essentials only—lipstick, gloves, a compact—reinforcing its role as a ceremonial object rather than a utilitarian one. Gentle wear and slight patina throughout the beadwork indicate age and use, adding to its character without compromising integrity.
This beaded clutch dates to the early–mid 20th century, most likely the 1930s–1940s. The folded envelope construction and dense surface embellishment place it within a period when evening bags were designed as soft sculptures—ornamental objects intended to catch low light rather than carry weight.
The exterior is richly worked with seed pearls and translucent sequins stitched over a fine textile base, forming subtle geometric curves reminiscent of late Art Deco design. Hand-beaded bags of this kind were often produced by skilled artisans, frequently women, and sold through department stores or specialty boutiques as formal accessories for dinners, dances, and special occasions.
The absence of rigid structure and the delicate materials suggest it was meant for essentials only—lipstick, gloves, a compact—reinforcing its role as a ceremonial object rather than a utilitarian one. Gentle wear and slight patina throughout the beadwork indicate age and use, adding to its character without compromising integrity.